“Then I began to speak of style, of the army of words, an army in which all kinds of weapons are on the move. No iron can enter the human heart as chillingly as a full stop placed at the right time. She listened, her head inclined, her painted lips slightly open. A black gleam shone in her lacquered hair, smoothly drawn back and divided by a parting.”
“Try and imagine what this great pond, quite unglamorous and muddy, this dirty-watered pond looks like when you don’t impose yourself, your whole history, or the history of a culture on it; when you just let yourself see it.” Josh Cohen
Josh Cohen is a psychoanalyst in private practice, and Professor of Modern Literary Theory at Goldsmiths University of London. He is the author of Interrupting Auschwitz (2003), How to Read Freud (2005), and The Private Life: Why We Remain in the Dark (2013) . DISCUSSED: Definite indefinite plain-ness; slipping on fallen leaves (inside and out); the mind stripped down to its essence; the end of the imagination; the rescuing As If; counting Cohen’s innards; the fierce desire of speaking; staying true to what-is; the emotional pressure to find the words; father to a sister of a thought; the necessity of fantastic failed efforts; the illusion of fullness; deprivation as a first condition; carrying the minor house within; getting to grips with our unsurpassables; rat-vision; the reassuring loopiness of the self; hopefully in the dark. LINKS:
It seems kind of fitting that I first heard DW Wilson’s prize-winning short story The Dead Roads about this time last September, midway through a ten-mile hike through the Chilterns. Even more fitting would have been to listen or read it whilst out camping in his beloved Canadian Rockies. One day. Sometimes when creating these podcasts, I have to leave dozens of glittering minutes of conversation on the cutting room floor in order to get an episode that isn’t going to tire out the average listener. This time round I thought I might offer it as an Extra for those who are interested to hear Dave speak a bit more about his connection to Bill Gaston and what he learnt from him. He also makes some incredibly interesting comments about the craft of writing a good short story, delivered with his usual witty candour and no-bullshit proclivities. DW Wilson’s fantastic collection of short Stories Once You Break A Knuckle is out now. Bill Gaston’s equally fantastic collection of short stories Mount Appetiteis also out now.
Gemma Seltzer is cool. I am probably not the first person to arrive at this estimation of her, and I shall no doubt be one of a very orderly queue lining up to say so now and in the future. Her book Speak To Strangers has everything in it that I find exciting and compelling about creative nonfiction. Which some people call docufiction. Anyway, one of those reality-hungry hybrids. You’d probably just call it great writing if you were to read it, which you should, which it is – formulated around a beautifully simple and elegant notion. This short story has nothing to do with E’s Eels (those Novocaine For The Soul Eels), but you still might need some 2-(diethylamino)ethyl 4-aminobenzoate after listening. It’s powerful stuff. That’s what we dispense over here at RMYSL The Chemist.
"The title says it all. Read Me Something You Love invites literary lovers to select a piece of writing which excites them. Steve Wasserman, then trundles around to your home with his mobile recording studio in an attempt to translate the pleasure of the reading aloud experience to a wider audience.
“One of the joys of doing this is being open to the experience of how other people’s enthusiasms will wing their way into your life and get you all gee’d up about stories or poems you might never have glanced at twice,” says Wasserman.
Anyone can take part, just email your suggestions to Steve. The only real requirement is that your selection has proved spine-tingling to you in some way. Readings are limited to 20-25 minutes, so a short story, a well-chosen extract or a poem are perfect.
Time to start practicing in the mirror methinks."
"I don’t know about you, but seeing someone read a book on the Tube often gives me a warm, fuzzy feeling knowing that this potentially wasted part of the day is enriched by a good book. The rarity of book lovers gracing the seats of the Underground these days makes me feel both sad and like I’m in a secret club that is only acknowledged by a sideways glance at the books of fellow commuters.
So on discovering the Human Reading Being blog, part of the Read Me Something You Love project, I was terrified that I’d spot a terrible picture of myself reading something embarrassing and then overjoyed that this humble daily habit is being celebrated.
Read Me Something You Love involves Steve Wasserman asking authors and non-authors alike, to read a piece of literature they love before leading a discussion on the piece. If you love submerging yourself in the imagination of others, come and celebrate this dying pastime."