Author Archives: Kit

A Poem on St. Lucy’s Day, Being the Shortest Day of the Year by John Donne

This was another poem that had sort of half heartedly wandered around in my memory for awhile. I think the first time I heard it was in a recording done by Richard Burton. I liked the language (I love the word ‘hydroptic’).

I took this on because the language was 400 years old. I knew it would take a lot more work to find this poem than simply memorizing its words. I can’t say that I was successful in interpreting every word, every line, but I was left with a different sense of the poem than the one with which I began.

I ‘saved’ this poem to learn in winter…or nearly winter. It helped me get the feel for it. I learn my poems mostly while walking in the woods. Now the leaves are down, the weather has turned cold, the landscape is barren and colorless. I felt the poem’s opening lines…

‘TIS the year’s midnight, and it is the day’s,

Lucy’s, who scarce seven hours herself unmasks ;

The sun is spent, and now his flasks

Send forth light squibs, no constant rays ;

The world’s whole sap is sunk ;

The general balm th’ hydroptic earth hath drunk,

Whither, as to the bed’s-feet, life is shrunk,

Dead and interr’d;

 

The rest of the poem is an ode to grief, emptiness, nothingness. Sources suggested different reasons for his grief. If this is a description of some actual state of mind, I hope he found his way out of it. He really seems to be drowning in grief and trying to drown the reader as well.

This poem will most likely not one I keep close to my heart. I’m not sorry I got to know it, but it felt more like an exercise…once I began, I felt like I ‘should’ finish it. I enjoyed speaking the language out loud. The poem, in the end, did not speak to me. I loved the melody of the words but not their meaning. Why would I recite this to anyone?

I’m excited to start a new poem…it will feel like spring after a long winter.

 

 

 

 

 

 

Polishing the words

I love fireflies. I picked the poem ’Fireflies‘ by Marilyn Kallet to learn because it was about fireflies. Simple as that.

But as I began to polish the words and put them in place in my mind I was mildly startled by the lines:

Imagine the presence of ghosts
flickering, the ghosts of young friends,
your father nearest in the distance.
This time they carry no sorrow,
no remorse, their presence is so light.

I’d never considered the weight of my dead before. Or that their weight in my mind might change or be changeable. It seemed that the individual stories came with built in weight. The words of this poem found their way in past the mechanics of learning to be another mantra to chant to myself. Where does the lightness come from? Is it a changing thing…lighter…heavier…lighter?

If I stay with this poem long enough

…the fireflies become fireflies
again, not part of your stories,
as unaware of you as sleep, being
beautiful and quiet all around you.

I love so much how poems take me on a journey…remembrance of fireflies, specific moment of fireflies, remembrance of the dead, remembrance of a specific person, remembrance of childhood, remembrance of a specific moment in childhood, remembrance of fireflies.

Then…now…here…but left with some clearer seeing of the present that was called into being by the travel through the words of the poem. Meditation.

A poem let’s you go when it’s ready

I’ve been learning ‘I Know the Way You Can Get’ by Hafiz for awhile now. I’m finding that there is no set time to let go and move to another poem. Yeats’ ‘The Hosting of the Sidhe’ drew me in against my will. This poem seemed unwilling to let me go…until today.

I was reading it over and over again into SoundCloud last week. When I’d listen back I’d realize I’d substituted “there” for “which” or something like that. I found myself getting so obsessed with getting it right that I began to lose the feeling and meaning of the poem that had drawn me to it in the first place. ”Who cares?”, I thought. I don’t have to say it out loud to anyone.

This morning I was teaching one of my yoga classes. We had come to the point of resting at the end. People settled down. And the poem began to come out of my mouth. One line followed the next as I finally wrote the poem on my bones. And then I was quiet. And they rested. And the poem let me go.

I know the way you can get

My new poem was written by Hafiz (or Hafez…depending on what source you’re looking at). I heard it before I read it. The opening lines drew me in…are you talking to me?

I know the way you can get
When you have not had a drink of Love: Continue reading

The Calm and the wild

Some thoughts on my poem before I leave to teach class this morning…

Both of the poems I’ve learned so far (“The Loon” by Mary Oliver and “The Hosting of the Sidhe” by W.B. Yeats) have had the relationship of humans and nature contained in them, if not their reason for being. Both poems take place “twixt night and day”. There is rapture in both poems. Continue reading

Hosting the Sidhe

I find myself feeling a little wistful about leaving my first poem behind for awhile. Individual lines come into my mind at random times and continue to reveal more things about themselves. I suppose that is like any relationship.

In picking my next poem, I decided to go with a visceral response and see where it takes me. Continue reading

The Loon by Mary Oliver

THE LOON
Not quite four a.m., when the rapture of being alive
strikes me from sleep, and I rise
from the comfortable bed and go
to another room, where my books are lined up
in their neat and colorful rows. How

magical they are! I choose one
and open it. Soon
I have wandered in over the waves of the words
to the temple of thought. Continue reading